An insightful account ... whether offering visual analysis or social observation, Porter writes with clarity and wit Frieze It made me think more clearly and more honestly about how I dress, and it made me think more clearly and honestly about the way we all dress. I think it’s something that I kind of hint at in the book, even if I don’t say it so explicitly, but ever since I finished the book, I believe more and more that we are all experts in the language of clothing. We all recognize that Macron, say, is adopting the language of governing power in his suit, or is attempting to reveal personality with his unbuttoned shirt and hairy chest. We all recognize the authority of uniforms, like in those really stark photos of the peace negotiations between Russia and Ukraine, with the Russians all in suits, and the Ukrainians all in garments of stealth. Obviously it varies in different parts of the world and in different cultures, but it is also a universal thing that we all understand. It’s part of our social coding. And yet, I would say pretty much all of us deny this expertise. We’ll say, “Oh, this thing? I just put this on.” Or say, “I don’t know how to dress,” or “I’m not that interested in clothing.” Even people working in fashion want to make a point of the fact they didn’t take a lot of time putting their look together. Then some people outside of fashion have a kind of fear of fashion, of wearing the wrong thing, or feeling like they don’t know how to dress, which is all part of fashion making people become consumers and keep buying and keep buying.

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Sarah Lucas Self-portrait with Fried Eggs, 1996, C-print. Photograph: Sarah Lucas/Courtesy Sadie Coles HQ, London Shop at thrift stores. Second hand shops are the best way to stretch your clothing budget. In addition to basics and run-of-the-mill pieces, you'll be able to find unique styles at an affordable price. Look for quirky, odd "signature" pieces that fit your personality and will make you stand out. When he was at college, fashion was exciting: designers such as Alexander McQueen and Hussein Chalayan were breaking through, and those who wrote about them had, he insists, a certain “intellectual rigour”. Porter mourns those days now, and worries, too, about where the internet will take fashion. But he believes things are also changing. People are thinking more about where their clothes come from and where they’ll go when they die. For his part, he is determined to wear as many of his old clothes as he can, for as long as he can (hence the ancient Gucci loafers). The discussion marks the publication of art critic Blake Gopnik’s major biography Warhol: A Life as Art, which draws on hundreds of interviews and years of archival research. Gopnik is joined in conversation by writer and critic Olivia Laing, whose extensive engagement with Warhol’s work includes a new essay in the Tate exhibition catalogue.Después de la lectura, acompaña a Jesse Lopez para la próxima entrega del Club de lectura de la Biblioteca de Investigación de Arte Lemon, presentando Lo que visten los artistas de Charlie Porter. Este libro ricamente ilustrado lleva a los lectores en un viaje a través de la ropa que usan los artistas y lo que nos revelan sus elecciones. Esta selección del club de lectura explora temas centrales de tres exposiciones de PhxArt, incluyendo Modelándose a sí mismo: la fotografía de la expresión cotidiana, EN MOVIMIENTO: El corte moderno de Geoffrey Beene, and Mr: Puedes escuchar la canción de este pueblo. wikiHow is a “wiki,” similar to Wikipedia, which means that many of our articles are co-written by multiple authors. To create this article, 19 people, some anonymous, worked to edit and improve it over time. Porter captures the various 'archetypes' associated with artists. He emphasises the shift from the 'codification of patriarchy to the breaking of the canon Araba Opoku, The Art Newspaper He likewise decided to include Marina Abramović in the text and wrote in total 63 words about her and only one sentence about her and Ulay’s clothes “Note too the language of the garments: skirt for her, trousers for him.” That’s the last sentence made out of those total 63 words. Why did he need to include this and where is an an analysis in stating something obvious? I have no answer

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It was all very organic, really,” he says. “Obviously, I knew at the start that there were some things I needed to cover off. But I wanted to give space to the artists whose work I really love today. So deciding who went in became something very natural.” or this absolute banger of obviousness that led to nothing “ nakedness has been there throughout art history: just look at the bodies on show in ancient Greek sculpture”. as if no one has ever know that or as if it will later play out in his text (no, it won’t) Unexpected, lushly illustrated ... As a connoisseur of the lived-in, Porter delights at Lee Krasner's paint-spattered slippers and the tactile richness of Alberto Giacometti's rumpled suit Hettie Judah, V&A MagazinePersonal Protective Equipment (PPE) is exactly that: equipment to protect you from health and safety risks at work. For the hair and beauty industry, recommendations from the Health and Safety Executive (HSE) recommends face coverings, gloves, aprons and - for some treatments - eye protection. You mentioned earlier being excited by those parallels across time and drawing links between artists from different generations. Did that factor into how you approached your research for the book? A revelatory journey through the wardrobes of modern and contemporary artists, by fashion critic and art curator Charlie Porter, featuring original interviews, as well as over 300 images selected by the author On this rail, Porter found, somewhat to his excitement, a tuxedo coat by Lang that had been made for the model Stephanie Seymour to wear in his spring/summer 1999 show, in Paris. But whether flashy or not, for Bourgeois clothes were also repositories of memory. “She wrote again and again that she couldn’t bear to part with them,” says Porter. “In the end, she started using them in her work. A van took them all to her studio – an extreme action for her, the cutting of a chord – and this marked the beginning of an incredibly creative period in her career.” At the end of the book, you talk about how the freedom certain artists have when it comes to clothes could serve as an invitation to dismantle the power structures that clothes often speak to. Was the process of writing the book galvanizing for you in that sense?

art of getting dressed | Fashion | The Guardian The art of getting dressed | Fashion | The Guardian

According to Porter, the unspoken language of clothes – the intuitive, often mundane, everyday choices made by artists – can send messages that shine a spotlight on our cultural and social landscape. "For the last few decades, artists have been putting themselves at the centre of their work through video, photography and performance in a way that has never happened before," he says. "Therefore, the clothing they wear is right at the centre of the work too. They’re sending signals to the viewer."When this arrived, I felt completely unqualified to have an opinion about it. Fortunately, I have a friend who is a costume designer, so what follows are her words. T-shirts and jeans may sound like a mundane combo, but you can use your own personal style to stand out. Wear T-shirts of your own design or that are otherwise unique. Wear jeans that are other colors besides the typical denim blue.

What Artists Wear by Charlie Porter | Goodreads

Most of us live our lives in our clothes without realizing their power. But in the hands of artists, garments reveal themselves. They are pure tools of expression, storytelling, resistance and creativity: canvases on which to show who we really are.For him “post-minimalism” is in his own words is inexistent category that he equates to “we don’t know how to talk about the artist”, although you look at the exampled work and just see that it was clearly influenced by minimalism (but was not produced in this specific historical period), which is exactly what post-minimalism means What Artists Wear” is a super fun, easy to read and eye opening manifesto for seeing the world, those around us, and ourselves anew! Most of us live our lives in our clothes without realising the power or influence they can evoke/signify. But in the hands of artists, garments reveal themselves in a whole new fashion (pun well and truly intended). They are tools of expression, storytelling, acts of resistance and creativity. In some ways, reminding us how much clothes can be a canvas on which they/we show who we truly are. Like this article? Sign up to our newsletter to get more articles like this delivered straight to your inbox