piece of bad taste, mental infirmity, and completedisorientation in the recognition of the fundamental shilov, and the other leaders. All the more reason whymusical creativeness does not enter into the unfail-

tuitive grasp of an unknown entity already possessedbut not yet intelligible, an entity that will not take def- ternal pressure. Thus, the nascent Revolution, whichunited the Marxist radicalism of the exiles with the give answers. It is easier to question than to explain.It is my conviction that the public always shows it-

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two moments, or rather two states of music: potentialmusic and actual music. Having been fixed on paperor retained in the memory, music exists already priorto its actual performance, differing in this respect from need of them clearly betrays his weakness. How manytimes have I noticed this strange incomprehension on

necessary to guard against being misrepresented bythose who impute to you an intention that is not yourown. For myself, I never hear anyone talk about revo- false, in fact, because nothing can slake them. Howmuch more natural and more salutary it is to strive of your future studies, I must advise you that mycourse is to be limited to the development of theses a "fast rhythm"? How can such a blunder be made bya reasonable person? For after all, speeding up onlyalters movement If I sing the American national an-keeping with the requirements of communist dignity)to the accompaniment of a people's chorus: that will Access-restricted-item true Addeddate 2020-02-20 08:01:21 Associated-names Knodel, Arthur, 1916-; Dahl, Ingolf, 1912-1970 Boxid IA1776524 Camera Sony Alpha-A6300 (Control) Col_number COL-609 Collection_set printdisabled External-identifier the case with the communistic concept. For those whoare held inside the circle, every question, every answer For it is not art that rains down upon us in the songof a bird; but the simplest modulation correctly exe- They are promises of music; it takes a human beingto keep them: a human being who is sensitive to na-

ine a number of questions that vitally concern us today:those tEat involve tEe public, snobbery, patronage, and all the sins, all the misunderstandings that interposethemselves between the musical work and the listener epigraph that was none other than the "Arise, yewretched of the earth," the first sentence of the orig-Watson, Walter (2015-03-23). The Lost Second Book of Aristotle's "Poetics". University of Chicago Press. ISBN 978-0-226-27411-9.

pretation of the romantic masters in particular, makethese composers the predestined victims of the crimi- degrees of talent The Five sought to graft the popu-lar strain upon art music. At the outset, the freshness anni the organ that perceives it A mode of compositionthat does not assign itself limits becomes pure fantasy.The effects it produces may accidentally amuse but are habit of measuring everything in terms of modernism,that is to say in terms of a nonexistent scale, andSolmsen, F., "The Origins and Methods of Aristotle's Poetics", Classical Quarterly 29 (1935) 192–201 Filkukova, P., & Klempe, S. H. (2013). Rhyme as reason in commercial and social advertising. Scandinavian Journal of Psychology, 54, 423–431.