Alice's Adventures in Wonderland (Cambridge Library Collection - Fiction and Poetry)

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Alice's Adventures in Wonderland (Cambridge Library Collection - Fiction and Poetry)

Alice's Adventures in Wonderland (Cambridge Library Collection - Fiction and Poetry)

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The stammer has always been a significant part of the image of Dodgson. While one apocryphal story says that he stammered only in adult company and was free and fluent with children, there is no evidence to support this idea. [28] Many children of his acquaintance remembered the stammer, while many adults failed to notice it. Dodgson himself seems to have been far more acutely aware of it than most people whom he met; it is said that he caricatured himself as the Dodo in Alice's Adventures in Wonderland, referring to his difficulty in pronouncing his last name, but this is one of the many supposed facts often repeated for which no first-hand evidence remains. He did indeed refer to himself as a dodo, but whether or not this reference was to his stammer is simply speculation. [27] Association for new Lewis Carroll studies". Contrariwise.wild-reality.net. Archived from the original on 7 February 2012 . Retrieved 19 October 2019. Leach, Karoline (1999). In the Shadow of the Dreamchild: A New Understanding of Lewis Carroll. London: Peter Owen.

In 1846, Dodgson entered Rugby School, where he was evidently unhappy, as he wrote some years after leaving: "I cannot say ... that any earthly considerations would induce me to go through my three years again ... I can honestly say that if I could have been ... secure from annoyance at night, the hardships of the daily life would have been comparative trifles to bear." [12] He did not claim he suffered from bullying, but cited little boys as the main targets of older bullies at Rugby. [13] Stuart Dodgson Collingwood, Dodgson's nephew, wrote that "even though it is hard for those who have only known him as the gentle and retiring don to believe it, it is nevertheless true that long after he left school, his name was remembered as that of a boy who knew well how to use his fists in defence of a righteous cause", which is the protection of the smaller boys. [13] Woolf, Jenny (4 February 2010). The Mystery of Lewis Carroll. St. Martin's Press. pp.298–9. ISBN 978-0-312-67371-0. Douglas-Fairhurst, Robert (2016). The Story of Alice: Lewis Carroll and the Secret History of Wonderland. Harvard University Press. ISBN 9780674970762.

Book contents

LEWIS CARROLL IS HONORED ON 150TH BIRTHDAY". The New York Times. 18 December 1982. Archived from the original on 5 May 2015 . Retrieved 30 January 2015. Williams, Sidney Herbert; Madan, Falconer (1979). Handbook of the literature of the Rev. C.L. Dodgson. Folkestone, England: Dawson. p. 68. ISBN 9780712909068. OCLC 5754676. Charles Lutwidge Dodgson". The MacTutor History of Mathematics archive. Archived from the original on 5 July 2011 . Retrieved 8 March 2011. Gardner, Martin (2000). Introduction to The annotated Alice: Alice's adventures in Wonderland & Through the looking glass. W. W. Norton & Company. p.xv. ISBN 0-517-02962-6. Podoll, K; Robinson, D (1999). "Lewis Carroll's migraine experiences". The Lancet. 353 (9161): 1366. doi: 10.1016/S0140-6736(05)74368-3. PMID 10218566. S2CID 5082284.

Taylor, Roger; Wakeling, Edward (25 February 2002). Lewis Carroll, Photographer. Princeton University Press. ISBN 978-0-691-07443-6. a b Woolf, Jenny (2010). The Mystery of Lewis Carroll: Discovering the Whimsical, Thoughtful, and Sometimes Lonely Man Who Created "Alice in Wonderland". New York: St. Martin's Press. pp. 24. ISBN 9780312612986.Carroll came from a family of high-church Anglicans, and developed a long relationship with Christ Church, Oxford, where he lived for most of his life as a scholar and teacher. Alice Liddell – a daughter of Henry Liddell, the Dean of Christ Church – is widely identified as the original inspiration for Alice in Wonderland, though Carroll always denied this. He also found photography to be a useful entrée into higher social circles. [63] During the most productive part of his career, he made portraits of notable sitters such as John Everett Millais, Ellen Terry, Dante Gabriel Rossetti, Julia Margaret Cameron, Michael Faraday, Lord Salisbury, and Alfred Tennyson. [29]



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