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A Fatal Crossing: Agatha Christie meets Titanic in this unputdownable mystery

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The very first thing I noticed about this book was the author’s writing style. Calling it juvenile might go a bit too far but it was definitely too tame for my taste. Bland and boring, it was immediately forgettable and repetitive. It’s always “the ship stretches the best part of…” or “the best part of fifty thousand tons” or “the restaurant’s capacity to seat the best part of five hundred diners” or “the best part of an hour/minute”…

The owner of Hamlet Hall has organised a murder mystery evening with a 1920s twist, and everyone has their own part to play.It’s New years eve and a murder mystery party is being held at Hamlet Hall hotel. A hotel that has seen better days. In a secluded area of North Devon and there is no phone signal. There are eight guests, all with secrets of their own. Which had something to do with a body that is found on a beach over twenty years ago.

With twist after gut-punching twist, A Fatal Crossing really is an ingenious thriller. Highly recommended.' M. W. Craven The whole story takes place over a four day period in November 1924 as the cruise liner Endeavour approaches New York from Southampton with two thousand passengers and crew on board. When an elderly man is found dead at the bottom of a staircase, the ship’s captain assumes – and hopes – that it’s an accident. However, James Temple, a Scotland Yard inspector, happens to be one of the passengers on the voyage and, after examining the body, he is convinced that the old man has been murdered. The captain gives This book was actually such a fun book to read, it was a bit slow at some places, but I think it has the perfect amount of tension and cliffhangers between each hour of the night were delectable I was at the edge of my seat whenever I finished a part and had to sleep because I had to wake up early the next day. The supporting characters in A Fatal Crossing are all really quite similar – they’re all relatively posh people who don’t add much to the story other than names to remember when you’re trying to piece together how everyone knows each other or how they might be linked to the murder.This one couldn’t be more up my street if it tried – a 1920s setting, a murder mystery, a transatlantic crossing aboard a ship… it’s the ultimate in closed circle mysteries! Lone Theils on työskennellyt tanskalaisen Politiken-lehden ulkomaankirjeenvaihtajana, joten hänellä on omakohtaista aineistoa Nora Sandin työtehtävistä tanskalaisen nettilehden ulkomaantoimittajana Lontoossa. November 1924. The Endeavour sets sail for New York, with 2,000 passengers - and a killer - on board. Temple is furious that he has to put up with Birch, and so begins their acrimonious partnership in which the pair have 4 days to find a killer, after which the liner arrives in New York, the passengers disembark, and there will be no chance of resolving the case. Birch is a traumatised man who served in the war, left with a bullet wound in his shoulder. His daughter, Amelia, has been missing for 2 years, and his marriage to Kate has fallen apart. He blames himself, he is a shadow of the man he used to be, putting his hopes in finding Amelia on the only person he has any faith in, American Raymond, clinging to a yellow ribbon belonging to Amelia as if his life depended on it. Virtually all the crew, with the exception of Wilson avoid Birch, he is incapable of maintaining any relationship. Temple is a man with his own demons and secrets, he refuses to divulge what police business has him travelling on the liner. About the case, although I may not have totally fallen for the book did I not realize how it all fitted together before Nora was really in trouble and she herself started to realize that something was wrong with a particular person. I was not expecting that kind of ending, I must admit.

My main reason for DNFing is because the premise is inaccurate, although my knowledge of this only comes from my career. Essentially, there's upset in a Devon village when the lighthouse is to be developed by a local developer who left for London as a teen and has returned; he is hugely unpopular because he 'stole' the planning permission for development from a popular local who also runs the tourist information. I'm a Town Planner and it's impossible to steal a planning permission, it belongs the building, not to a person. My other issue, that the local council is believed to have been bribed by the developer to give him the planning permission, comes across as lazy plotting that bashes 'corrupt' councils. Anyone can apply for planning permission, for any building, but only the person who owns it can implement that permission, if approved, and undertake the development. Whilst the plot was generally well structured, it felt too slow - the whole story takes place over just four days, but the narrative made it feel like several weeks. Fewer clichéd descriptions and less outrage on Birch's part would have gone some way towards remedying this, but the whole book would have benefited from more stringent editing and refinement. Reipas päähenkilö Nora Sand löysi antiikkiliikkeestä ostamastaan vanhasta matkalaukusta tyttöjen valokuvia ja yhdessä kuvassa oli tutun näköisiä nuoria tyttöjä englannin lautalla. Tytöt katosivat lautalta. Katoamisesta oli kulunut jo pitkä aika, mutta aina välillä lehdet kaivoivat jutun esille. Nyt Noralla oli aikaa paneutua katoamismysteeriin. Avukseen hän sai lapsuuden ystävänsä ja ihan selvästi dekkarin sivuilla alkoi sydämen sykkeet kiihtyä ja romantiikanpölyä sai pyyhiskellä dekkarin sivuilta. The characters were mostly unlikeable apart from Theo, one of the actors hired for the party, and Lily, the victim’s daughter. I would have quite liked to see them team up and try and solve the mystery together.When an elderly gentleman is found dead at the bottom of a staircase, Tim believes it to be a terrible accident, but James Temple, a surly Scotland Yard detective, is suspicious right from the start, and he’s determined to investigate. The ship’s Captain isn’t happy about this, it wouldn’t do to have the passengers believing there’s a killer on board, but he allows Temple to proceed as long as Tim shadows him as he carries out his interviews. With Tim’s personal problems though, he’s possibly not strong enough mentally, to deal with the proceedings.

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