The strength and serenity of the Nile is present in this fragrance. The warmth of summer and a certain leisureliness are also noticeable. At the same time, this fragrance - especially in the beginning - has something fresh, crisp, grassy. And here I can understand the criticism expressed here recently, even if I can't find the "coquey" and "musty" notes that have been identified by the scent addiction and even if FabianO's comparison with the (from my point of view in fact trivial) voyage seems somewhat unfair to me. But just at Fabian's comment I could also sign many things. Green and woody, Un Jardin sur le Nil eau de toilette combines tangy green mango with delicate lotus and elegant sycamore.

The ponderous waters glide slowly along, putting you in a trance-like, dreamy mood. You feel the strength and serenity of the Nile. Everything is peaceful, calm, relaxed. Perrotta, Kristin (October 17, 2014). "Hermès Un Jardin sur le Nil". Allure. Archived from the original on August 12, 2020 . Retrieved November 21, 2020. I don't notice any of the supposed cinnamon. Since the mighty plane tree already shows itself more clearly.With me also no image arises before the inner eye, there I am with the critics below. The long name deceives, lulls one. Nile, garden - hmmm...Egypt, desert, sand, oasis, sunshine, relaxation.... But there's no mood wanting to emerge from the flat 100%-white-veil-synthetic, no association with such insistently delivered love for the lab wedding. All in all, this gives a light green, sometimes radiant, sometimes rather white-green veiled scent that is difficult to grasp, and because of the strong homogenization and the clearly perceptible synthetic, also a somewhat one-dimensional, sometimes almost exhausting scent impression. Occasionally a slightly soapy accent is added, the origin of which I cannot identify. a b "In Search of 'The Perfect Scent' ". All Things Considered. NPR. January 21, 2008. Archived from the original on January 10, 2018 . Retrieved April 15, 2018. Created in 2005, Un Jardin sur le Nil eau de toilette evokes an olfactory journey to the garden islands in Aswan, Egypt. In this composition, perfumer Jean-Claude Ellena tells of this river synonymous with life and generosity.

Fragrances like vegetables - in this case tomato leaves and carrot seeds - still seem unusual today. They were one of the reasons I bought this fragrance in the summer. I now know or own a few fragrances by Ellena. One of my favorites is Un Jardin sur le Toit, released in 2011. But I have deliberately stopped to compare the two garden scents. The fragrance is complex and spans its arc from summery smoothie over fruity notes and cool-looking flowers to the gentle, relaxing finish, which still remains spicy. Once again, as so often, I wanted to do something for my health and went to my favourite studio, when suddenly a fragrance floated past me. He looked so familiar. Citrusy and flowery, carried by a companion in his prime. I thought, it can't be, the scent looks so familiar, but here in the gym? In contrast to the less intellectual 100% organic natural and ethno fragrances, the Ellena creation provides additional layers and stimuli. Director's theatre, so to speak. Nature remains inspiration, which is used (predatorily), but which is presented more clearly, more refined - a process that is well known to creatives of all art fields. Ellena therefore likes to describe himself as a writer among perfumers, who is more concerned with creativity than pure composition. Un Jardin sur le Nil is considered a masterpiece by the head perfumer of Hermès.Fortunately, Ellena has the gift of reinventing the scent of a garden on the Nile according to his imagination. The fact that the green mango that everyone immediately smells out in this perfume is actually not in this fragrance is typical of Ellena. He is not concerned with natural notes, but with that illusion that not only makes a fragrance more vivid, dramatic and expressive than any 100% natural oil of self-collected plants, but also transmits the intended feeling. This is exactly what I like about Ellena and his perfumes. Because for me, too, an artistically heightened, or for that matter synthetic, fragrance is the more interesting and sophisticated option, because it interprets nature, so to speak, rather than just banally depicting it 1:1. Well, that will have to wait a little longer, but I wear this scent again more often now and like to spray it with 4 or 5 also on my clothes. I want to feel it on me for a long time. On my clothes it also keeps fresh and fruity for a very long time. On myself also fresh and fruity even after hours. With the time it becomes more flowery, but keeps the freshness. For me it is wearable in everyday life, as well as in the evening and also in every season Thank you Mr. Ellena Through the Parfums-Jardins collection, Hermès nurtures its creativity every year bringing together the soul and feelings of a place, the perfumer's inspiration and the chosen theme of the year. There are olfactory strolls to share for every moment, to indulge every desire for freshness, reverie or escape.

Editors, Esquire (April 23, 2020). "The 12 Best Summer-Ready Colognes to Spritz Because, Well, Why the Hell Not?". Esquire. Archived from the original on February 1, 2021 . Retrieved November 21, 2020. {{ cite web}}: |last= has generic name ( help) a b Hamilton, Denise (June 29, 2013). "The best summertime perfumes". Los Angeles Times. Archived from the original on February 1, 2021 . Retrieved November 21, 2020. Durability and sillage are not too pronounced. But the perfume is an Eau de Toilette, which just works in these delicate tones, otherwise there would certainly be a EdP to it long ago.Phần cổ tay được xịt nước hoa thường có nhiều tác động như lúc rửa tay, đeo vòng, đồng hồ, do đó để đảm bảo mùi hương được duy trì, bạn nên sử dụng nước hoa ở cổ tay ở tần suất nhiều hơn lúc cần thiết. And then - pardon, I have to call it - the shit happens: no 5 minutes are over and the "Nile" transforms into a skin-less, lifeless and soulless monster from the house of "Ambroxiso-e-super". Jean-Claude Ellena began the Hermès "Jardin" series of fragrances in 2003 when his brief was selected from a call for proposals on the theme of the Mediterranean Sea. [1] This resulted in the fragrance Un Jardin en Méditerranée, commissioned through Ellena's employer at the time, German fragrance firm Symrise. [1] The next brief in the series called for a fragrance on the theme of "river". [1] Its development represented a turning point for Hermès and the perfume industry as a whole. [2] Ellena came on board as an in-house perfumer, [1] reflecting a rise in the marketing of the artist behind the scent: just before joining Hermès, Ellena had created L'Eau d'Hiver for Éditions de Parfum Frédéric Malle, which distinguished itself as the first company to place the perfumer's name on the bottle, positioning the brand as an "editor" and the perfumers the true authors of the scents. [3] Where previously these "noses" would function as a "famous ghost", in New York Times perfume critic Chandler Burr's description, known (and revered) in the industry but generally unknown to the public, with Ellena's new role at Hermès, along with his fragrance for Malle and the publicity of Burr's book, he took on a newly public role. [4] For the brand, creating its own perfumery laboratory and naming a top-tier perfumer like Ellena to head it gave Hermès the chance to develop a new aesthetic cohesion to its collection and new credibility with consumers. [1] Instead of licensing its name to outside fragrance firms in a process functionally no different from celebrity scents, [3] now the whole of the creative process was conducted by Hermès. [1] Fragrance [ edit ]

The river, the banks - a trance to which one gladly surrenders. Grasses and unfamiliar plants give freshness. There is nothing floral about the elegant sweetness. Rather something abstract. This is probably the green mango. The perfume's concentration is eau de toilette. Inspired by Ellena’s walk through a grove of mango trees with green fruit in an island garden on the Nile (a scouting trip in search of possible ingredients around which to construct the fragrance), [5] the final version of Jardin sur le Nil contains notes of green mango, lotus, hyacinth, grapefruit, bulrush, calamus, sycamore, and incense. [6] It was marketed as a unisex scent [1] and continued to draw "best of" recommendations as a fragrance for men and women years after its first release, [7] particularly for wear in the summer. [8] [9] In the Los Angeles Times, Denise Hamilton described it as "The fragrance that catapulted green mango into the olfactory mainstream" with a "mouth-watering tart fruit note set noses everywhere aquiver." [9] The perfume’s green-tinted glass bottle was also inspired by the green mango. [1] The Perfect Scent [ edit ] Nevertheless, it is - but again - this unbearably artificially pure, antiseptic, the impression of freshness wanting to create standard aroma, which acts 97% of the time bar any development, in which the fragrance stays on the skin.a b c d e f g h i Burr, Chandler (March 7, 2005). "The Scent of the Nile". The New Yorker. Archived from the original on November 12, 2020 . Retrieved November 21, 2020.